Her
mother
was
a
film-cutter
at
RKO
who
widowed
and
insane
abandoned
her
to
sequence
of
foster
homes.
She
was
almost
smothered
to
death
at
two
nearly
raped
at
six.
At
nine
the
LA
Orphans'
Home
paid
her
a
nickel
a
month
for
kitchen
work
while
taking
back
a
penny
every
Sunday
for
church.
At
sixteen
she
worked
in
an
aircraft
plant
and
married
a
man
she
called
Daddy;
he
went
into
the
military
she
modeled
they
divorced
in
1946.
She
owned
200
books
(including
Tolstoy
Whitman
Milton)
listened
to
Beethoven
records
studied
acting
at
the
Actors'
lab
in
Hollywood
and
took
literature
courses
at
UCLA
downtown.
20th
Century
Fox
gave
her
a
contract
but
let
it
lapse
a
year
later.
In
1948
Columbia
gave
her
a
six-month
contract
turned
her
over
to
coach
Natasha
Lytess
and
featured
her
in
the
B
movie
"Ladies
of
the
Chorus"
for
which
she
sang
two
numbers.
Joseph
Mankiewicz
saw
her
in
a
small
part
in
The
Asphalt
Jungle
(1950)
and
put
her
in
"All
About
Eve"
because
of
which
20th
Century
re-signed
her
to
a
seven-year
contract.
Niagara
(1953)
and
Gentlemen
Prefer
Blondes
(1953)
launched
her
as
a
sex
symbol
superstar.
When
she
went
to
a
supper
honoring
her
The
Seven
Year
Itch
(1955)
she
arrived
in
a
red
chiffon
gown
borrowed
from
the
studio
(she
had
never
owned
a
gown).
The
same
year
she
married
and
divorced
baseball
great
'Joe
Dimaggio'
(their
wedding
night
was
spent
in
Paso
Robles
CA).
After
"Itch"
she
wanted
serious
acting
to
replace
the
sexpot
image
and
went
to
New
York's
Actors
Studio.
She
worked
with
director
Lee
Strasberg
and
also
underwent
psychoanalysis
to
learn
more
about
herself.
Critics
praised
her
transformation
in
Bus
Stop
(1956)
and
the
press
was
stunned
by
her
marriage
to
playwright
Arthur
Miller.
True
to
form
she
had
no
veil
to
match
her
beige
wedding
dress
so
she
dyed
one
in
coffee;
he
wore
one
of
the
two
suits
he
owned.
They
went
to
England
that
fall
where
she
made
"The
Prince
and
the
Showgirl"
with
Lawrence
Olivier
fighting
with
him
and
falling
further
prey
to
alcohol
and
pills.
Two
miscarriages
and
gynecological
surgery
followed.
So
did
an
affair
with
Yves
Montand.
Work
on
her
last
picture
The
Misfits
(1961)
written
for
her
by
departing
husband
Miller)
was
interrupted
by
exhaustion.
She
was
dropped
from
"Something's
Got
to
Give"
due
to
chronic
lateness
and
drug
dependency.
Four
months
later
she
was
found
dead
in
her
Brentwood
home
of
a
drug
overdose
adjudged
suicide.